In sonnets 34, 67 and 77 of the Amoretti, Spenser explores a vision of love that is at odds with both the Christian and the Classical. Do you agree? [MEG 101 SPENSER]

In sonnets 34, 67, and 77 of the Amoretti, Spenser presents a vision of love that does depart from both Christian and Classical ideals of love in certain ways.

In Christian tradition, love is often associated with the concept of agape, or selfless love. This type of love is often characterized by a concern for the well-being of others, and a willingness to sacrifice one's own desires and needs for the sake of others. In contrast, the love presented in the Amoretti sonnets is often more self-centered and focused on the desires and needs of the lover. For example, in Sonnet 67, Spenser argues that the beloved should return his love, not because it is the right thing to do, but because it will bring him pleasure and happiness.

Similarly, in Classical tradition, love is often associated with the concept of eros, or passionate love. This type of love is often characterized by physical desire, and a willingness to pursue one's desires regardless of the consequences. However, the love presented in the Amoretti sonnets is not solely focused on physical desire, but also encompasses emotional and spiritual aspects. For example, in Sonnet 77, Spenser describes his love for his beloved in terms of a spiritual connection that transcends physical desire.

While the love presented in the Amoretti sonnets does differ from both Christian and Classical ideals in certain ways, it is also important to note that Spenser's vision of love is still influenced by these traditions. For example, while the love in the Amoretti is often self-centered, it is also characterized by a deep emotional connection between the lover and the beloved, which reflects the Christian emphasis on love as a connection between individuals, and the Classical emphasis on passion and desire.

Overall, while the love presented in the Amoretti sonnets does depart from both Christian and Classical ideals in certain ways, it also reflects the ways in which these traditions continued to shape the conception of love in the Renaissance.