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MAEG
1st SEMESTER
_MEG 101
_MEG 102
_MEG 103
_MEG 104
2nd SEMESTER
_MEG 201
__BLOCK 1
__BLOCK 2
__BLOCK 3
__BLOCK 4
_MEG 202
Short Summary (2nd Sem)
_MEG 201 (2nd Sem)
_MEG 202 (2nd Sem)
_MEG 203 (2nd Sem)
_MEG 204 (2nd Sem)
MCQ
_MEG 201 (2nd Sem)
_MEG 202 (2nd Sem)
_MEG 203 (2nd Sem)
_MEG 204 (2nd Sem)
3rd SEMESTER
_MEG 301
__UNIT 1
__UNIT 2
__UNIT 3
__UNIT 4
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Showing posts with label
British Drama June 2019
.
Show all posts
Showing posts with label
British Drama June 2019
.
Show all posts
British Drama June 2019
What is a Miracle Play? [British Drama]
Assessment Point
January 29, 2023
A Miracle Play is a type of Medieval drama that was performed in churches as a way of educating and entertaining the masses. These plays, al...
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British Drama June 2019
What is the tragic dilemma of Faustus in Marlowe’s Dr.Faustus? [British Drama]
Assessment Point
January 29, 2023
The tragic dilemma of Dr. Faustus in Marlowe's play is that he is torn between his desire for limitless knowledge, power and worldly ple...
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British Drama June 2019
What qualities do we find in Hamlet that makes him a typical Shakespearean tragic hero? [British Drama]
Assessment Point
January 29, 2023
Hamlet is considered a typical Shakespearean tragic hero due to the following qualities: Noble birth: Hamlet is a prince and a member of the...
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British Drama June 2019
How is Johnsonian comedy different from Shakespearean comedy? [British Drama]
Assessment Point
January 29, 2023
Johnsonian comedy and Shakespearean comedy are two distinct forms of comedic playwriting from different eras of English literature. While bo...
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British Drama June 2019
Does The Playboy of the Western World end like a traditional comedy? [British Drama]
Assessment Point
January 29, 2023
No, The Playboy of the Western World by J.M. Synge does not end like a traditional comedy. Despite having elements of farce and humor throug...
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British Drama June 2019
What is the central concern of the play Pygmalion? [British Drama]
Assessment Point
January 29, 2023
The central concern of the play "Pygmalion" by George Bernard Shaw is the issue of social class and linguistic prejudice in Edward...
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British Drama June 2019
T.S.Eliot’s Murder in the Cathedral is based on which historical event of the past? [British Drama]
Assessment Point
January 29, 2023
T.S. Eliot's play "Murder in the Cathedral" is based on the historical event of the murder of Thomas Becket, the Archbishop of...
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British Drama June 2019
What actuated Osborne to write Look Back in Anger? [British Drama]
Assessment Point
January 29, 2023
John Osborne's play "Look Back in Anger" was actuated by a number of factors, including his disillusionment with traditional B...
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British Drama June 2019
Discuss Dr.Faustus as a play in the English Morality tradition. [British Drama]
Assessment Point
January 29, 2023
"Doctor Faustus" by Christopher Marlowe is often considered a play within the English Morality tradition. Morality plays were a po...
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British Drama June 2019
Would you consider A Midsummer Night’s Dream as a Romantic Comedy? Explain. [British Drama]
Assessment Point
January 29, 2023
Yes, "A Midsummer Night's Dream" by William Shakespeare can be considered a romantic comedy. Romantic comedies are plays or fi...
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British Drama June 2019
Do you agree that the three classical unities of time, space and action have been observed properly in the Alchemist? ‘Explain [British Drama]
Assessment Point
January 29, 2023
The three classical unities of time, space, and action are fundamental principles of classical drama that were established by Aristotle in h...
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British Drama June 2019
What according to Shaw, are the social implication of different accents and modes of English? [British Drama]
Assessment Point
January 29, 2023
George Bernard Shaw believed that the different accents and modes of English were a reflection of the social and economic class structure of...
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British Drama June 2019
What is the principal focus of Act I of The Playboy of Western World? [British Drama]
Assessment Point
January 29, 2023
The principal focus of Act I of J.M. Synge's play "The Playboy of the Western World" is the arrival of the protagonist, Christ...
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British Drama June 2019
What is the significance of Becket’s Christmas Sermon in Murder in the Cathedral? [British Drama]
Assessment Point
January 29, 2023
The Christmas Sermon in T.S. Eliot's play "Murder in the Cathedral" is significant for several reasons: Characterization: The ...
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British Drama June 2019
What is the significance of the Temptation scene in Murder in the Cathedral? [British Drama]
Assessment Point
January 29, 2023
The Temptation scene in T.S. Eliot's play "Murder in the Cathedral" is a crucial moment in the protagonist Thomas Becket's...
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British Drama June 2019
What is the significance of Hamlet’s soliloquies in the play? [British Drama]
Assessment Point
January 29, 2023
Hamlet's soliloquies are significant in Shakespeare's play "Hamlet" for several reasons: Character development: The solilo...
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British Drama June 2019
What is the significance of ‘dream in the title of the play A Midsummer Night’sDream? [British Drama]
Assessment Point
January 29, 2023
The significance of the word "Dream" in the title of William Shakespeare's play "A Midsummer Night's Dream" lies...
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British Drama June 2019
Does Shaw’s use of myth contribute to the enrichment of Pygmalion? Justify. [British Drama]
Assessment Point
January 29, 2023
Yes, Shaw's use of myth in "Pygmalion" contributes significantly to the enrichment of the play. Shaw uses the myth of Pygmalio...
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British Drama June 2019
Write a brief note on the imagery and symbolism in the play Look Back in Anger. [British Drama]
Assessment Point
January 29, 2023
"Look Back in Anger" by John Osborne is a seminal play of the British "Angry Young Men" movement, and it is known for it...
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British Drama June 2019
Evaluate Waiting for Godot as an existentialist play. [British Drama]
Assessment Point
January 29, 2023
"Waiting for Godot" by Samuel Beckett is widely regarded as an existentialist play. The play reflects the existentialist philosoph...
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( MEG 101 ) ( ANDREW MARVELL )
(14)
( MEG 101 ) ( CHAUCER HIS LIFE & WORKS )
(4)
( MEG 101 ) ( CHRIST'S NATIVITY AND LYCIDAS )
(5)
( MEG 101 ) ( CULTURAL BACKGROUND )
(8)
( MEG 101 ) ( GEORGE HERBERT )
(27)
( MEG 101 ) ( INTRO. TO JOHN MILTON )
(2)
( MEG 101 ) ( INTRODUCTION TO EDMUND SPENSER )
(5)
( MEG 101 ) ( INTRODUCTION TO NONNES PREESTES TALE )
(53)
( MEG 101 ) ( INTRODUCTION TO THE CANTERBURY TALES )
(5)
( MEG 101 ) ( SCIENCE: AN INTRODUCTION )
(10)
( MEG 101 ) ( SPENSERIAN POETRY & THE FAIRIE QUEENE )
(15)
( MEG 101 ) ( STUDY OF JOHN DONNE )
(52)
( MEG 101 ) ( STYLE AND DICTION OF EDMUND SPENSER )
(2)
( MEG 101 ) ( THE CAVALIER POETS )
(13)
( MEG 101 ) ( THE EARLY AUGUSTANS )
(9)
( MEG 101 ) ( THE METAPHYSICAL POETS )
(11)
( MEG 101 ) ( THE SPENSERIANS )
(4)
( MEG 101 ) ( THIRTY YEARS' WAR (1618-48 )
(8)
( MEG 101) ( CHAUCER'S STYLE & DICTION )
(9)
( MEG 102 ) ( DEFINITION OF ROMANTICISM )
(5)
( MEG 102 ) ( EARLY ROMANTIC POETS )
(6)
( MEG 102 ) ( FEATURES OF ROMANTICISM )
(5)
( MEG 102 ) ( JONATHAN SWIFT )
(4)
( MEG 102 ) ( MAC FLECKNOE )
(16)
( MEG 102 ) ( MATTHEW ARNOLD )
(4)
( MEG 102 ) ( ROBERT BURNS )
(10)
( MEG 102 ) ( S. T. COLERIDGE )
(5)
( MEG 102 ) ( THE AGE OF DRYDEN )
(19)
( MEG 102 ) ( THE ROMANTIC MOVEMENT )
(6)
( MEG 102 ) ( THOMAS GRAY )
(15)
( Multiple Choice )
(10)
(MEG 102) (APPROACHES TO BLAKE's POETRY)
(5)
(MEG 102) (BLAKE'S CONTRIBUTION)
(3)
(MEG 102) (BLAKE'S INTERPRETATION OF HISTORY)
(4)
(MEG 102) (COLERIDGE: DEJECTION: AN ODE)
(8)
(MEG 102) (COLERIDGE: KUBLA KHAN)
(8)
(MEG 102) (DYLAN THOMAS)
(19)
(MEG 102) (SECOND GENERATION OF ROMANTIC POETS)
(8)
(MEG 102) (Songs of Experience: Study of Some Poems)
(10)
(MEG 102) (SONGS OF INNOCENCE AND SONGS OF EXPERIENCE)
(10)
(MEG 102) (SYLVIA PLATH AND CONFESSIONAL POETRY)
(4)
(MEG 102) (T.S. ELIOT: THE WASTE LAND (II)
(6)
(MEG 102) (T.S. ELIOT: THE WASTE LAND (III)
(6)
(MEG 102) (T.S. ELIOT: THE WASTE LAND)
(8)
(MEG 102) (THE POET OF VOLCANIC HOPE: P. B. SHELLEY)
(4)
(MEG 102) (UNIT 12 WILLIAM BLAKE )
(6)
(MEG 102) (UNIT 13 THE PRELUDE BOOK.1)
(8)
(MEG 102) (WILLIAM BLAKE)
(3)
(MEG 102) (WILLIAM WORDSWORTH)
(8)
(MEG 103) (‘The Tempest’ by William Shakespeare)
(5)
(MEG 103) (HAMLET: OTHER DIMENSIONS)
(4)
(MEG 103) (IRONY AND THE TRAGIC DILEMMA IN DOCTOR FAUSTUS)
(4)
(MEG 103) (RISE OF ELIZABETHAN COMEDY AND TRAGEDY)
(7)
(MEG 103) (THE RENAISSANCE AND REFORMATION IN DOCTOR FAUSTUS)
(3)
(MEG 103) (THE TRAGIC DRAMA OF DOCTOR FAUSTUS)
(6)
(MEG 103) (UNIT END QUESTIONS)
(3)
(MEG 104) (UNIT 1 BACKGROUND TO THE PLAY)
(1)
(MEG 104) (UNIT 1- BACKGROUND TO THE PLAY)
(2)
(MEG 104) (UNIT 16 CRITICAL APPROACHES TO LOOK BACK IN ANGER)
(4)
(MEG 104) (UNIT 2 THE CHARACTERS)
(4)
(MEG 104) (UNIT 3 CRITICAL ANALYSIS-II)
(7)
(MEG 104) (UNIT 3 LANGUAGE AND SPEECH IN LOOK BACK IN ANGER)
(3)
(MEG 301) (Unit 1- What is Criticism?)
(4)
(MEG 301) (UNIT 2: FAMOUS LITERARY CRITICS)
(4)
(MEG 301) (UNIT 3: WHAT IS CRITICAL APPRECIATION IN LITERATURE)
(4)
(MEG 301) (UNIT 4: DIFFERENT THEORIES OF CRITICISM)
(4)
[MEG-101]
(254)
[MEG-102]
(95)
[MEG-103]
(32)
[MEG-104]
(21)
9.12 QUESTIONS FOR FURTHER STUDY (MEG 102)
(7)
British Drama (2018-19) Assignment 1
(20)
British Drama (2018-19) Assignment 2
(20)
British Drama Dec 2021
(23)
British Drama June 2019
(23)
British Novel June 2019
(22)
British Poetry (2018-19) Assignment 1
(20)
British Poetry (2018-19) Assignment 2
(20)
British Poetry Dec 2021
(15)
British Poetry June 2019
(23)
MCQ MEG 201
(4)
MCQ MEG 202
(4)
MCQ MEG 203
(4)
MCQ MEG 204
(4)
MEG 101 Prerestoration
(43)
Short Summary
(4)
Short Summary MEG 201
(4)
Short Summary MEG 202
(4)
Short Summary MEG 203
(4)
Short Summary MEG 204
(4)
UNIT-16 ( MEG 101 ) ( PARADISE LOST- BOOK 1 )
(9)
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