What does “Mannerism” mean? When does a ‘conceit’ turn into an example of mannerism in Metaphysical poetry? [British Poetry (2018-19) Assignment 1]

Mannerism refers to a habitual or distinctive manner, style or behavior, which can be observed in various forms of art, including literature. In Metaphysical poetry, a conceit is a comparison or analogy used to link the physical and spiritual realms, often in a witty or surprising way. A conceit can become an example of mannerism when it is overused or becomes a pointless and compulsive activity.

Metaphysical poets, such as John Donne and George Herbert, often employed conceits in their poetry to explore complex philosophical and religious ideas. These conceits could be extravagant and surprising, drawing connections between seemingly unrelated things in order to reveal deeper truths. However, when a poet relies too heavily on these conceits and uses them in a repetitive or forced manner, they can become mannerisms.

Mannerism in Metaphysical poetry can be seen when the conceits become artificial or contrived, losing their original impact and becoming merely ornamental. This can happen when a poet tries to force a comparison that doesn't quite fit or when they use the same type of comparison over and over again. At this point, the conceit no longer serves its original purpose of revealing a deeper truth, and instead becomes a meaningless exercise in cleverness.

In summary, Mannerism refers to a distinctive manner or style of doing something, which can be observed in various forms of art. In Metaphysical poetry, a conceit can become an example of mannerism when it is overused or becomes a pointless and compulsive activity, losing its original impact and becoming merely ornamental.