[MEG-101]
Why does the pilgrimage (and the poem) begin in spring? (MEG 101 CHAUCER)
Why does the pilgrimage (and the poem) begin in spring? The pilgrimage in Chaucer's "The Canterbury Tales" begins in the spri...
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Showing posts with label ( MEG 101 ) ( INTRODUCTION TO THE CANTERBURY TALES ). Show all posts
Showing posts with label ( MEG 101 ) ( INTRODUCTION TO THE CANTERBURY TALES ). Show all posts
[MEG-101]
On the basis of the annotations, attempt an analysis of the portraits of the Prioress, the Monk, the Friar, the Wife of Bath, the Parson, the Plowman, the Clerk, the Miller, the Reeve, the Pardoner, the Summoner (MEG 101 CHAUCER)
- Assessment Point
- February 17, 2023
On the basis of the annotations, attempt an analysis of the portraits of the Prioress, the Monk, the Friar, the Wife of Bath, the Parson...
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[MEG-101]
Bring out the different shades in Chaucer's irony. (MEG 101 CHAUCER)
- Assessment Point
- February 17, 2023
Bring out the different shades in Chaucer's irony. Irony is a powerful literary device that Chaucer employs throughout "The Canter...
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[MEG-101]
What individualises the portraits? (MEG 101 CHAUCER)
- Assessment Point
- February 17, 2023
What individualises the portraits? One of the notable features of Chaucer's "The Canterbury Tales" is the vivid and detailed ...
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[MEG-101]
What makes them typical? (MEG 101 CHAUCER)
- Assessment Point
- February 17, 2023
What makes them typical? (The individual elements may include physiognomy, dress, eccentricity but dress and physiognomy are also represent...
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- ( MEG 101 ) ( ANDREW MARVELL ) (14)
- ( MEG 101 ) ( CHAUCER HIS LIFE & WORKS ) (4)
- ( MEG 101 ) ( CHRIST'S NATIVITY AND LYCIDAS ) (5)
- ( MEG 101 ) ( CULTURAL BACKGROUND ) (8)
- ( MEG 101 ) ( GEORGE HERBERT ) (27)
- ( MEG 101 ) ( INTRO. TO JOHN MILTON ) (2)
- ( MEG 101 ) ( INTRODUCTION TO EDMUND SPENSER ) (5)
- ( MEG 101 ) ( INTRODUCTION TO NONNES PREESTES TALE ) (53)
- ( MEG 101 ) ( INTRODUCTION TO THE CANTERBURY TALES ) (5)
- ( MEG 101 ) ( SCIENCE: AN INTRODUCTION ) (10)
- ( MEG 101 ) ( SPENSERIAN POETRY & THE FAIRIE QUEENE ) (15)
- ( MEG 101 ) ( STUDY OF JOHN DONNE ) (52)
- ( MEG 101 ) ( STYLE AND DICTION OF EDMUND SPENSER ) (2)
- ( MEG 101 ) ( THE CAVALIER POETS ) (13)
- ( MEG 101 ) ( THE EARLY AUGUSTANS ) (9)
- ( MEG 101 ) ( THE METAPHYSICAL POETS ) (11)
- ( MEG 101 ) ( THE SPENSERIANS ) (4)
- ( MEG 101 ) ( THIRTY YEARS' WAR (1618-48 ) (8)
- ( MEG 101) ( CHAUCER'S STYLE & DICTION ) (9)
- ( MEG 102 ) ( DEFINITION OF ROMANTICISM ) (5)
- ( MEG 102 ) ( EARLY ROMANTIC POETS ) (6)
- ( MEG 102 ) ( FEATURES OF ROMANTICISM ) (5)
- ( MEG 102 ) ( JONATHAN SWIFT ) (4)
- ( MEG 102 ) ( MAC FLECKNOE ) (16)
- ( MEG 102 ) ( MATTHEW ARNOLD ) (4)
- ( MEG 102 ) ( ROBERT BURNS ) (10)
- ( MEG 102 ) ( S. T. COLERIDGE ) (5)
- ( MEG 102 ) ( THE AGE OF DRYDEN ) (19)
- ( MEG 102 ) ( THE ROMANTIC MOVEMENT ) (6)
- ( MEG 102 ) ( THOMAS GRAY ) (15)
- ( Multiple Choice ) (10)
- (MEG 102) (APPROACHES TO BLAKE's POETRY) (5)
- (MEG 102) (BLAKE'S CONTRIBUTION) (3)
- (MEG 102) (BLAKE'S INTERPRETATION OF HISTORY) (4)
- (MEG 102) (COLERIDGE: DEJECTION: AN ODE) (8)
- (MEG 102) (COLERIDGE: KUBLA KHAN) (8)
- (MEG 102) (DYLAN THOMAS) (19)
- (MEG 102) (SECOND GENERATION OF ROMANTIC POETS) (8)
- (MEG 102) (Songs of Experience: Study of Some Poems) (10)
- (MEG 102) (SONGS OF INNOCENCE AND SONGS OF EXPERIENCE) (10)
- (MEG 102) (SYLVIA PLATH AND CONFESSIONAL POETRY) (4)
- (MEG 102) (T.S. ELIOT: THE WASTE LAND (II) (6)
- (MEG 102) (T.S. ELIOT: THE WASTE LAND (III) (6)
- (MEG 102) (T.S. ELIOT: THE WASTE LAND) (8)
- (MEG 102) (THE POET OF VOLCANIC HOPE: P. B. SHELLEY) (4)
- (MEG 102) (UNIT 12 WILLIAM BLAKE ) (6)
- (MEG 102) (UNIT 13 THE PRELUDE BOOK.1) (8)
- (MEG 102) (WILLIAM BLAKE) (3)
- (MEG 102) (WILLIAM WORDSWORTH) (8)
- (MEG 103) (‘The Tempest’ by William Shakespeare) (5)
- (MEG 103) (HAMLET: OTHER DIMENSIONS) (4)
- (MEG 103) (IRONY AND THE TRAGIC DILEMMA IN DOCTOR FAUSTUS) (4)
- (MEG 103) (RISE OF ELIZABETHAN COMEDY AND TRAGEDY) (7)
- (MEG 103) (THE RENAISSANCE AND REFORMATION IN DOCTOR FAUSTUS) (3)
- (MEG 103) (THE TRAGIC DRAMA OF DOCTOR FAUSTUS) (6)
- (MEG 103) (UNIT END QUESTIONS) (3)
- (MEG 104) (UNIT 1 BACKGROUND TO THE PLAY) (1)
- (MEG 104) (UNIT 1- BACKGROUND TO THE PLAY) (2)
- (MEG 104) (UNIT 16 CRITICAL APPROACHES TO LOOK BACK IN ANGER) (4)
- (MEG 104) (UNIT 2 THE CHARACTERS) (4)
- (MEG 104) (UNIT 3 CRITICAL ANALYSIS-II) (7)
- (MEG 104) (UNIT 3 LANGUAGE AND SPEECH IN LOOK BACK IN ANGER) (3)
- (MEG 301) (Unit 1- What is Criticism?) (4)
- (MEG 301) (UNIT 2: FAMOUS LITERARY CRITICS) (4)
- (MEG 301) (UNIT 3: WHAT IS CRITICAL APPRECIATION IN LITERATURE) (4)
- (MEG 301) (UNIT 4: DIFFERENT THEORIES OF CRITICISM) (4)
- [MEG-101] (254)
- [MEG-102] (95)
- [MEG-103] (32)
- [MEG-104] (21)
- 9.12 QUESTIONS FOR FURTHER STUDY (MEG 102) (7)
- British Drama (2018-19) Assignment 1 (20)
- British Drama (2018-19) Assignment 2 (20)
- British Drama Dec 2021 (23)
- British Drama June 2019 (23)
- British Novel June 2019 (22)
- British Poetry (2018-19) Assignment 1 (20)
- British Poetry (2018-19) Assignment 2 (20)
- British Poetry Dec 2021 (15)
- British Poetry June 2019 (23)
- MCQ MEG 201 (4)
- MCQ MEG 202 (4)
- MCQ MEG 203 (4)
- MCQ MEG 204 (4)
- MEG 101 Prerestoration (43)
- Short Summary (4)
- Short Summary MEG 201 (4)
- Short Summary MEG 202 (4)
- Short Summary MEG 203 (4)
- Short Summary MEG 204 (4)
- UNIT-16 ( MEG 101 ) ( PARADISE LOST- BOOK 1 ) (9)
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