Identify any other common themes running through Osborne's work. (MEG 104) (UNIT 16 CRITICAL APPROACHES TO LOOK BACK IN ANGER)

John Osborne's work is characterized by a number of recurring themes that run through his plays and other writings. Here are some of the most common themes in Osborne's work:

Class: Osborne was deeply concerned with issues of social class and inequality, and many of his plays explore the tensions and conflicts between different classes and social groups. Look Back in Anger, for example, is a powerful critique of the class system in 1950s Britain, while The Entertainer explores the decline of the music hall and the rise of popular culture in post-war England.

Identity: Another common theme in Osborne's work is the search for identity and meaning in a world that is often chaotic and unpredictable. His characters are often struggling to define themselves and their place in society, and are frequently at odds with the roles and expectations that others try to impose on them.

Alienation: Osborne's work is also characterized by a sense of alienation and disconnection, both between individuals and between people and society as a whole. His plays often depict characters who feel isolated and estranged from the world around them, and who are struggling to find a sense of connection and belonging.

Anger and disillusionment: Many of Osborne's plays are marked by a sense of anger and disillusionment, particularly with the state of British society in the post-war era. His characters often feel trapped and frustrated by the limitations of their lives, and are deeply critical of the political and cultural forces that they see as holding them back.

The passing of time: Finally, Osborne was interested in the passage of time and the ways in which it shapes individuals and societies. Many of his plays explore the changing social and cultural landscape of post-war Britain, and the impact that these changes have on individuals and communities over time.

Overall, these themes recur throughout Osborne's work, and are central to his vision of the world and his role as a playwright and cultural critic.